New in November: Andy Cohen, Shelly Oria, Barbara Smith, D.A. Powell, Hubert, and Marie Caillou

New month, new books! November is upon us, and so are a slew of new and noteworthy LGBT books.

Love in the modern age is anything but easy. Author Shelly Oria explores the joys and pitfalls of contemporary relationships in her debut short story collection New York 1, Tel Aviv 0 (FSG Originals).

From FSG:

Enter the world of New York 1, Tel Aviv 0, where the characters are as intelligent and charming as they are lonely. A couple discovers the ability to stop time together; another couple lives with a constant loud beeping in their apartment, though only one of them can hear it. A father leaves his daughter in Israel to pursue a painting career in New York; a sex worker falls in love with the Israeli photographer who studies her.

Together these stories explore the tension between an anonymous, globalized world and an irrepressible lust for connection—they form an intimate document of niche moments between characters who are so brilliantly, subtly, and magically rendered by Shelly Oria’s capable hands.

This month, writer Hubert and illustrator Marie Caillou explore the emotional fraught world of gay adolescence in the beautifully rendered graphic novel Adrian and the Tree of Secrets (Arsenal Pulp Press Books).

Adrian isn’t very happy these days. He lives in a small town and goes to a Catholic high school. He wears glasses, secretly reads philosophy books, and wishes he had more muscles. He’s dogged by a strict mother, bullied by fellow players on the soccer field, and chastised by the school principal, who considers gay rumors about Adrian as a sign that he is “ill.” But Jeremy, the coolest kid at school, thinks otherwise; he takes Adrian on scooter trips, where they end up in Jeremy’s secret treehouse stealing kisses. Adrian finds himself falling in love, until Jeremy’s girlfriend rats them out, sending Jeremy into a tailspin of embarrassment for being different than the rest. What will become of him?

Adrian and the Tree of Secrets is a poignant, beautifully illustrated graphic novel about first love, growing up, and having the courage to be true to yourself.

The new collection Ain’t Gonna Let Nobody Turn Me Around Forty Years of Movement Building with Barbara Smith (SUNY Press) delves into the cultural work of iconic writer and activist Barbara Smith.

As an organizer, writer, publisher, scholar-activist, and elected official, Barbara Smith has played key roles in multiple social justice movements, including Civil Rights, feminism, lesbian and gay liberation, anti-racism, and Black feminism. Her four decades of grassroots activism forged collaborations that introduced the idea that oppression must be fought on a variety of fronts simultaneously, including gender, race, class, and sexuality. By combining hard-to-find historical documents with new unpublished interviews with fellow activists, this book uncovers the deep roots of today’s “identity politics” and “intersectionality” and serves as an essential primer for practicing solidarity and resistance.

This month, Knopf is publishing Gay Berlin: Birthplace of a Modern Identity by Robert Beachy, a detailed accounting of pre-Wiemar Berlin.

An unprecedented examination of the ways in which the uninhibited urban sexuality, sexual experimentation, and medical advances of pre-Weimar Berlin created and molded our modern understanding of sexual orientation and gay identity.

Known already in the 1850s for the friendly company of its “warm brothers” (German slang for men who love other men), Berlin, before the turn of the twentieth century, became a place where scholars, activists, and medical professionals could explore and begin to educate both themselves and Europe about new and emerging sexual identities. From Karl Heinrich Ulrichs, a German activist described by some as the first openly gay man, to the world of Berlin’s vast homosexual subcultures, to a major sex scandal that enraptured the daily newspapers and shook the court of Emperor William II—and on through some of the very first sex reassignment surgeries—Robert Beachy uncovers the long-forgotten events and characters that continue to shape and influence the way we think of sexuality today.

What happens when a “shallow” personality goes deep? The Andy Cohen Dairies: A Deep Look at a Shallow Year (Henry Holt and Company ) offers a self reflective look at the comings and goings of a pop culture savant.

A year in the whirlwind life of the beloved pop icon Andy Cohen, in his own cheeky, candid, and irreverent words

As a TV Producer and host of the smash late night show Watch What Happens Live, Andy Cohen has a front row seat to an exciting world not many get to see. In this dishy, detailed diary of one year in his life, Andy goes out on the town, drops names, hosts a ton of shows, becomes codependent with Real Housewives, makes trouble, calls his mom, drops some more names, and, while searching for love, finds it with a dog. We learn everything from which celebrity peed in her WWHL dressing room to which Housewives are causing trouble and how. Nothing is off limits – including dating. We see Andy at home and with close friends and family (including his beloved and unforgettable mom). Throughout, Andy tells us not only what goes down, but exactly what he thinks about it. Inspired by the diaries of another celebrity-obsessed Andy (Warhol), this honest, irreverent, and laugh-out-loud funny book is a one-of-a-kind account of the whos and whats of pop culture in the 21st century.

D.A. Powell fans rejoice! This month sees the publication of Repast (Graywolf Press), a collection that assembles “D. A. Powell’s landmark trilogy of TeaLunch, and Cocktails […]” into one handsome volume.

As always, if we missed an author or book, or if you have a book coming out next month, please email us.







 LGBT Studies








Speculative Fiction/Horror










– See more at:

Edited by Wendell Ricketts, ‘Blue,Too: More Writing By (For or About) Working-Class Queers’

Repost from Lambda Literary Posted on 18. Nov, 2014 by in Anthology, Reviews – See more at:


The story of Wendell Ricketts’ one-of-a-kind anthology Blue, Too: More Writing By (For or About) Working-Class Queers is that of so much literature that examines intersections of marginalized identities: An initial dead-end. His predecessor to this book, Everything I Have Is Blue: Short Fiction by Working-Class Men About More-Or-Less Gay Life, encountered a whopping 57 rejections before it found a publisher–and it was a press that eventually shuttered its doors. So what’s the difference with Blue, Too? Why didn’t it get added to the heap of rejected concepts that are just too “much” or too complexifying or too honest to fit into marketing paradigms? Well, it’s mostly just the fact Ricketts kept pushing until he had the means to publish on his own terms — something he considers a distinctly working-class ethos. This year, he established FourCats Press, and finally he was able to create the book he’s always envisioned. In so doing, Blue, Too represents much more than a sequel–it is a reinvention of what a “collection of creative writing by working-class queers” can be. In sharing the book’s genesis in the foreword, Ricketts reveals why he needed to start anew in a tale that’s deeply telling about of this collection’s necessity. While trying for years to find a publisher who thought readers would be interested in writing that explored the intersection of queerness and class, and even while finally finding a publisher in the now-defunct Suspect Thoughts Press, he discovered that readers–or, at least, the ones reviewing Everything I Have Is Blue–still didn’t get it. He explains: More than a few reviewers missed the point entirely. Take one who wrote “Lend [thebook] to the cute guy who delivers bottled water to your office every month. Or your hunky garbage man. Basically anyone hot with a blue collar.” Because, of course, “hot and hunky” blue collar guys probably wouldn’t buy their own books, and it might help you–you big, bottled-water drinking corporate exec, you–get laid. The field of working-class studies politely ignored the book, as did queer and gay studies programs[.] Armed with that knowledge and the clear vision that working-class queer voices still matter, Ricketts’ expanded upon Everything in every way: in size and scope, in accepting more gender and sexual minorities than solely gay men, and in commenting on the importance of closely reading working-class queer narratives by providing detailed “reading guides” for each of the twenty stories anthologized. Further, one-third of the 486-page volume is taken up by an annotated bibliography about working-class queers in all cultural mediums and an extensive analytical essay titled “Class/Mates: Further Outings.” Blue, Too is, without a doubt, the authority on working-class queer writing in the English language. So let’s hope that a decade after Ricketts’ first attempt, this anthology isn’t still ahead-of-its time. At the very least, its long-overdue presence begs some consideration: What is so dangerous about this writing? The answers, of course, could be endless, but one thing becomes apparent quickly: Blue, Too shakes up both mainstream, straight, cisgender expectations of queers and queers’ expectations of queers.In a similar vein to Mattilda Bernstein Sycamore’s Why Are Faggots So Afraid of Faggots?: Flaming Challenges to Masculinity, Objectification, and the Desire to Conform, albeit in a more understated fashion, Blue, Too interrogates an aspect of queer communities that is often the source of invisibility and discomfort as LG(BT) people gain rights and social acceptance: Some queers are working-class, some are working-poor, and some are even downright impoverished. Our shiny, happy visions of who “queer” people are, especially in mainstream media, often can’t acknowledge that, to quote the oft-used activist slogan, “We Are Everywhere.” Rather, “working-class” and “queer” have come to seem almost like a antonyms because of the other specters that “working-class” raises. So what are the cultural associations with “working-class” complicating queer identity that find illumination in Blue, Too? Immediately, we see the theme of non-white racial identities emerge in C. Baird Cole’s “Flowers, Flames” and Rane Arroyo’s “My Blue Midnights.” In Marcel Devon’s “There Are No Pretty Girls at the Tabernacle,” we feel the threat of fundamentalist religion.Rick Laurent Feely’s “Skins” and Timothy Anderson’s “Hooters, Tooters, and the Big Dog” we get rough, coarse language, hints of violence and rougue-ish criminality–“class-less” behavior. And in Keith Banner’s “Lowest of the Low,” Robby Nadler’s “Austin,” Wendell Ricketts’ “Financial Aid,” and Rigoberto Gonzalez’s “Men Without Bliss” we feel the limitations of fore-shortened educations and dead-end jobs. All of these things scare queers seeking assimilation–and a couple, like violence and poverty, seem to be rightfully frightening, as they portend our extinction. But all of these things also scare queers for the wrong reasons–they disrupt a clean, palatable vision of queerness that could slip seamlessly into an affluent, white-dominant mainstream. Blue, Too is an intervention into queer culture that demands we look at what homogenizing “LGBT” discourses–which are often, in truth, only really about the “G” and maybe the “L”–leave out. Yet, it’s worth noting, Ricketts’ call of “We exist too!” is anything but self-pitying. The writing in Blue, Too is fierce, forthright, and often exquisitely brutal while being tender and deeply real. Highlights include Banner’s “Lowest of the Low,” Feely’s “Skins,” Carter Sickel’s “Saving,” Dean Durber’s “Bleeding Toy Boys,” and Judy Grahn’s “Boys at the Rodeo.” These stories bring up the kinds of questions without easy answers that multiply marginalized folks face daily. How do I feel whole when I must choose between being “out” and making enough money to survive? How do I find belonging when I enter contexts where class and sexual expectations shift? If my queerness and my class seem to be at odds, how can I find a sense of rootedness or “home”? – See more at:

‘Now and Yesterday’ by Stephen Greco

Fresh out of college, Peter moved to New York City in 1975. Wide-eyed and

Posted on 20. Nov, 2014 by in Fiction, Reviews – See more at: Lamda Literary
</iframe>determined to make it as a poet, he and his boyfriend, Harold, moved into a place in Brooklyn, ready to face whatever hurdles came their way. Fast-forward to 2012, Peter is a bigwig at an advertising agency and Harold has long since died of AIDS, along with dozens more of their friends. The city has changed; Peter has changed, but he still longs for fulfillment, for family and for love. Is that too much to ask for at 59? In Now and Yesterday, Stephen Greco richly details gay life in New York  City, providing a nuanced account of how it’s changed throughout the decades. And by splitting the narrative between the 28-year-old literary hopeful, Will, and the aging Peter, Greco explores generational issues often overlooked within this “Peter Pan” gay culture of ours. Peter first met Will at a party his friend Jacob was throwing. Will was the bartender, and while Peter stood out for his looks and physique among an aging crowd of New York City gay socialites, the recognition was not mutual. A relatively successful journalist back in San Francisco, Will learned quickly that this eastern metropolis was not an easy place to make one’s way. There were the challenges of establishing oneself on a career path, of manoeuvring through a cityscape built upon the foundations of drugs, sex, and money. Peter, too, had had to learn to navigate the scene, and while there were certainly differences, the struggle to remain true to oneself  amidst a sea of superficiality was central to both of their concerns. When Jacob recommends Will for a party Peter is throwing, the two meet properly, and a friendship begins to grow that surprised them both. Yet as feelings unfurl and make themselves known, the specifics of their circumstance begin to confuse. Peter isn’t looking to be a “daddy,” and he doesn’t want to just fool around. His feelings for Will are deep and ever growing, but he fears making a move. Is he too old for Will to see him as sexual, as desirable? The longer we live, the more learn to endure, but one is never too old to be afraid. The fear of being kindly rejected because of his age, the shame of having to watch Will squirm as he explains he’d rather be friends, prevents Peter from expressing his true feelings. As young as Peter may feel, their generational differences stand out stark against an otherwise placid background New York is a haven of gay culture and society–and it has been for a long time–but it’s easy for this present generation to forget that these streets were once a battleground. The same density of people that allowed the gay arts to flourish ensured that AIDS would ravish a generation. Those who lived though it, like Peter, carry the loss they experienced with them. Death, which made itself known in such a dramatic way, is always just beneath the surface. And especially as his fellow survivors begin to age, death returns in new and frightening manifestations. Jacob who, like Peter, survived his partner’s death, is diagnosed with an aggressive form of cancer. To have been conscious of one’s own mortality for decades breeds a unique approach to life–and the closer they move towards death, the more nuanced their understanding becomes. The weight of his past is something that Will can see in Peter, but not fully understand. It’s a burden that Peter doesn’t realize is inhibiting his future. By allowing the spectre of Harold to remain so absolutely, he ensures that there isn’t space for anyone to truly fill the void he left. It took many years, and the love of a guy as special as Will, to show him that he needed to move on from his loss, not merely survive it. At its heart, this is a novel about love. By focusing largely on the insecurities of Peter, Greco allows his internal dialogue, which does come off as slightly sophomoric at times, to highlight the universality of our approaches to romance. Increased age does not carry with it a lessened desire for companionship. At 59, Peter doesn’t want to settle for a boy-toy– he’s still after the romance of his life. Greco’s novel shares the important message that even within a community that idealizes youth, it’s never too late to find true happiness, and it’s not wrong to want it. Now And Yesterday richly details the cultural evolution and history of New York’s gay scene and its attention to the AIDS crisis, in particular, makes it an important addition to the canon of gay literature. The fact that the history of HIV isn’t included in most school curricula, coupled with the generational barriers that the gay community has yet to properly dismantle, makes this a uniquely accessible and relevant piece of work that educates as much as it enchants. – See more at:

A Fresh Perspective on the Genre Fiction Debate, ‘James Baldwin and the Queer Imagination,’ and More LGBT News

Posted on 19. Nov, 2014 by in Features, News

This week in the LGBT-themed arts:

Jaswinder Bolina writes an essay for the Poetry Foundation on the vulnerability of MFA candidates to classist isolation, and the fallacies of believing that poetry is less relevant today.

Slate chronicles the brief but influential (and possibly romantic) relationship between the two most crucial English gay poets of World War I: Siegfried Sassoon and Wilfred Owen.

On December 2, the New York Public Library is hosting a talk with Ayana Mathis and Matt Brim about the latter’s forthcoming book James Baldwin and the Queer Imagination.

Joshua Rothman offers a fresh perspective on the current conflation of literary fiction and genre fiction, using Emily St. John Mandel’s novel Station Eleven as his jumping-off point.

The Cut interviews avant-garde fashion designer Jeremy Scott about coming of age, controversies, celebrities and his new book, which has a cover that uniquely employs the Droste effect.

Slate has posted an exclusive excerpt from Philip Gefter’s new biography on Sam Wagstaff, the foremost patron and boyfriend of groundbreaking late photographer Robert Mapplethorpe.

There is also an excerpt, on Vulture, from gay director Justin Simien’s companion book to his film Dear White People, about how reality television perpetrates stereotypes.

The Poetry Foundation also discusses this year’s Miami Book Fair International–which will also feature a commemoration of James Baldwin–with co-organizer Adam Fitzgerald.

The Hollywood Reporter covers the recent reunion–in Orange County, California–of Stephen Sondheim and the original cast of Into the Woods, which debuted in San Diego in 1987.

This past week saw this year’s annual Bent-Con, an LGBT-flavored science fiction and comic book convention in Los Angeles. Here’s a photo essay of the event.

Dan Schulman and Dana Goldstein reveal the process that their books went through from original conception, through development, to the bestseller list.

Joan Allen, William H. Macy, and Brie Larson are among the actors set to star in a Lenny Abrahamson-directed adaptation of Emma Donoghue’s novel Room.

Dave Holmes, TV personality and  columnist for Vulture, is at work on his first book, an autobiographical comedy tentatively titled Party of One.

– See more at:

The Year's 10 Best Transgender Non-Fiction Books

Today we have added to our Booklists page a new listing of the 10 Best Transgender Non-Fiction Books as presented by The Advocate – to look at the list then click HERE


I Am Jazz: Teen Trans Advocate is published author

I am Jazz

By Ilyse Kramer

Thirteen-year-old Jazz-Jennings is a prolific trans advocate, recognized as the youngest person on The Advocate’s “40 under 40.” She has co-founded TransKids Purple Rainbow Foundation, which is committed to supporting and advocating for Trans children in their communities, shared her story on 20/20, 60 Minutes, the Oprah Winfrey Network, YouTube vlogs, and recently co-wrote an autobiographical picture book titled I Am Jazz.

In an interview with The Miami Herald, Jazz stated: “I wrote this book so we could help educate other transgender youth and families that it is OK to be different. It’s not just geared to LGBTQ people, but for everyone who is unique. And hopefully it can make a huge impact in letting everyone know that they have to accept each other because we’re all part of the same society.”


World Book Day

The Belfast Book Festival was  launched at Crescent Arts Centre in May of this year, with principal funders Arts Council Northern Ireland and Belfast City Council, and generous supporters Nicholson Bass and Belfast Calling, a programme of almost 90 events in one week was celebrated.


Speaking at the launch, Keith Acheson, Festival Director said: “This year’s Festival is the biggest and best yet, having grown to encompass almost 90 events over the course of the week.


Following this wonderful festival, I had the opportunity to meet with Keith last week on Friday in the Centre to discuss how we can incorporate relevant books and DVDs in forthcoming events.  I was able to advise on the booklists and DVDs that NIGRA has published on its website, (NIGRA Booklists)



Do LGBT people use NI Libraries? If so, what are your views?

NIGRA Secretary, Dave McFarlane has been corresponding with Sean Beattie from Libraries NI about the the LGBT community’s use of the Library service. Sean is keen to meet with members of Northern Ireland’s LGBT community to discuss:

  • How often people who identify as LGBT use the library service?
  • What you use the library service for?
  • What you would look for when using the library (internet access, LGBT section etc)?

Sean is keen to carry out a survey across the LGBT community in Northern Ireland along the same theme.

LibrariesNIAnyone interested in meeting Sean and working to improve the LGBT provision in NI libraries, please contact Dave McFarlane directly using the form below:

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Book Events at GAY'S THE WORD BOOKSHOP, London

Two major events on Gays The Word’s calendar are:

(i) ‘Declining Significance of Homophobia’ by Mark McCormack 26/04
(ii)’Goodbye to Soho’ by Clayton Littlewood 03/05
(i) The Declining Significance of Homophobia
(in British Schools)
Thursday April 26th 7pm – FREE
You are warmly invited to celebrate the publication of…
The Declining Significance of Homophobia: How Teenage Boys are Redefining Masculinity and Heterosexuality

Mark McCormacks new book: The Declining Significance of Homophobia: How Teenage Boys are Redefining Masculinity and Heterosexuality

The Declining Significance of Homophobia: How Teenage Boys are Redefining Masculinity and Heterosexuality

(published by Oxford University Press)
A book reading and discussion with author Mark McCormack
FREE – ALL WELCOME – Complimentary Refreshments – RSVP on Gay’s the Word’s Facebook Events Page or just turn up! doors 6.55pm Venue: Gay’s the Word
Can’t make the reading but would like a signed copy of the book? Simply e-mail putting ‘signed Significance in the subject-header. HB copies available at £29.99 (rrp £32.50)
The book:
Research has traditionally shown secondary schools to be hostile environments for LGBT youth. Boys have used homophobia to prove their masculinity and distance themselves from homosexuality. Despite these findings over the last three decades, The Declining Significance of Homophobia tells a different story.
Drawing on fieldwork and interviews of young men in three British schools, Dr. Mark McCormack shows how heterosexual male students are inclusive of their gay peers and proud of their pro-gay attitudes. He finds that being gay does not negatively affect a boy’s popularity, but being homophobic does.
Yet this accessible book goes beyond documenting this important shift in attitudes towards homosexuality: McCormack examines how decreased homophobia results in the expansion of gendered behaviors available to young men. In the schools he examines, boys are able to develop meaningful and loving friendships across many social groups. They replace toughness and aggression with emotional intimacy and displays of affection for their male friends. Free from the constant threat of social marginalization, boys are able to speak about once feminized activities without censure.
The Declining Significance of Homophobia is essential reading for all those interested in masculinities, education, and the decline of homophobia.

Mark McCormack says, ‘The erosion of homophobia in these sixth forms is not just great news for lesbian, gay, bisexual and transgendered students. Heterosexual students benefit as well. By casting off the homophobia of previous generations, young men can cuddle, hug and love without fear of reprisal’.

Praise for The Declining Significance of Homophobia, by Mark McCormack:
“Despite the remarkable changes in attitudes towards homosexuality in recent years, a continuing stream of homophobia has often been detected, especially among young men. This important book demonstrates vividly that this need not be the case… This is a heartening book that charts the profound and positive transformation now taking place in young people’s culture, and makes one optimistic for the future.”
– Jeffrey Weeks, Emeritus Professor of Sociology, London South Bank University, and author of The Languages of Sexuality (2011)


Clayton Littlewood in Gays The Word Bookshop with his new book 'Goodbye to Soho'

Goodbye to Soho by Clayton LIttlewood

(ii) ‘Goodbye to Soho’ by Clayton Littlewood

Thursday, May 3rd, 2012 7pm FREE – doors 6.55pm

Venue: Gay’s the Word

Celebrating the publication of ‘Goodbye to Soho’; the follow-up to Clayton Littlewood’s hugely successful and excellent book, ‘Dirty White Boy’.

Dirty White Boy is back with more tales from the unforgettable cast of Soho characters

Business in London’s Soho is not going well and the designer menswear shop that Clayton Littlewood runs with his partner, Jorge Betancourt, is under threat.

Following on from his award-winning diary Dirty White Boy: Tales of Soho, Clayton Littlewood is back, watching the hookers, the gangsters, the rent boys and following the same strange characters who make up this strangest of villages.

Will eccentric artist Raqib Shaw continue on his path to artistic immortality? Can Sue and Maggie, the Soho madams, keep the law at bay? Will ageing queens Leslie and Charlie reignite their long-lost love? What will become of Chico, the imprisoned ex–Diana Ross impersonator? And what of the Prince of Soho himself, Sebastian Horsley? Will America welcome him to its shores? Goodbye to Soho is a snapshot of modern London— a Samuel Pepys diary for the Soho subculture.

RSVP Gay’s the Word Facebook Events page (or just show up) – Refreshments available – All welcome –

please note this will be a mainly non-seated event.  If you require a seat for this reading please just let us know on the day! – doors 6.55pm

Venue: Gay’s the Word

Can’t make the reading but would like a signed copy of the book? Simply e-mail putting ‘signed Soho’ in the subject-header; paperback £10.99 (£16.99 HB also available)

Advanced Reviews:

‘Clayton has been seduced by Soho’s sleazy magic and through him so are we.‘ — Marc Almond

‘As scurrilous and entertaining as ever.’ —Rupert Smith (Man’s World)

‘Like Isherwood’s Berlin, Littlewood’s Soho co
mes to life right off the page.’ —Jonathan Kemp (London Triptych)

‘Downright Dickensian…not simply a good writer but a great writer.’ —Polari Magazine

‘That dirty old whore Soho has no better pimp than Clayton Littlewood.’ —Tim Fountain (Resident Alien)

“Beautifully composed vignettes…observed by a ravenous, compassionate, amused voyeur of the first rank.” —Nicholas de Jongh (Plague Over England)

‘While the wider world may view them with fear or disdain, Clayton captures the beggar’s humanity and the hooker’s humour with warmth that can bring a lump to the throat or leave one roaring with laughter. It might sound strange to be comforted by the daily trials of prostitutes, trannies, prisoners and street sweepers, but that’s what Clayton does – brilliantly.’ (Stewart Who? Twisted)

Author Biog:

Gay’s the Word bookshop regular, Clayton Littlewood ran the Soho designer menswear store Dirty White Boy with his partner, Jorge Betancourt. His first book, Dirty White Boy: Tales of Soho (a Gay’s the Word bookshop recommended read), based on his diaries kept whilst at the shop and wrote the “Soho Stories” column for The London Paper, contributing regularly to BBC Radio London. In 2009 Clayton turned the book into a play which staged at the Trafalgar Studios in London’s West End alongside actor David Benson and singer Maggie K de Monde. The play returned for an extended run in 2010.


Future Readings:


Devil’s Wall: The Nationalist Youth Mission of Heinz Rutha

with author Mark Cornwall

working date: Thursday 24th May (date TBC)



 ‘All the Beauty of the Sun’

with novelist Marion Husband

(author of ‘The Boy I Love’)

Thursday 7th June 7pm




Lost Gay Classics Event

‘In the Making’ by G.F. Green

& ‘Vainglory: with Inclinations and Caprice’ by Ronald Firbank

an event with Richard Canning and Peter Parker

Friday 22nd June 7pm


Gay’s The Word Bookshop
66  Marchmont Street                    Opening Hours:
London                                          Mon-Sat 10am-6.30pm
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‘Truly a fine example of how an independent bookshop should be’ – Time Out

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Reg Office: 22 Bedford Row London WC1R 4JS