Forrest Reid – the magician

Forrest Reid - the magicianForrest Reid was born on (Saturday, as it happens) June 24, 1876, at 20 Mount Charles, Belfast it was (still is) a ‘private road’, a volume of Reid’s autobiography is entitled Private Road (the other being Apostate).  Reid’s father died when he was a child.  He had invested in foolish speculation, and his death left the family in dire straits.  His mother, an Englishwoman with exotic, aristocratic ancestors, including Katherine Parr, Henry VIII’s last wife, refused to ‘down-size’ and the family survived on a very basic diet – mostly rice pudding

   Reid attended Belfast’s ‘Inst’ (the Royal Belfast Academical Institute) and was a good student – particularly of English, but he went to work in Musgrave’stea firm – the Musgrave family were entrepreneurs – the greater part of their fortune being made in metal industrial and domestic heating devices.
   Reid’s frugality may be a reason why he was able to attend Christ’s Church College in Cambridge in 1905.  He was, at 29, a ‘mature student, of ancient (Greek) and modern languages.  He regarded his sojourn in Cambridge as a “rather blank” period – he had no friends from his sojourn there.
   He did meet EM Forster, who became a life-long friend, and whom Reid visited every year.  He travelled to England as an (apparently ferociously competitive) croquet player and stayed with Forster in his Cambridge rooms.  He must have made the acquaintance of Forster’s circle.  Benjamin Britten was part of that circle until his expulsion (BB had made it clear that the composer had the last word on texts to be set.  He had been given increasing complex texts by WH Auden in the 1930s and early ’40s.  Post Peter Grimes, his first major opera, he felt self confident dealing with authors.  Forster became the Great Old Man of English Letters and tried to brow-beat BB, who turned to more amenable librettists).
   Reid had a great love of Italian opera and a huge record collection – with which he ‘entertained’ his neighbours in Ormiston Avenue off Castlereagh Road (the Castlereagh Hills were not built over until the 1960s) often late in the evening.  Many of Reid’s books are set in the unnamed, but clearly obvious County Down – the county ‘proper’ begins with the Castlereagh Hills.  His other favoured landscape was that of Donegal.
   Reid produced a critical study of WB Yeats in 1915 (he did not note the Great War in progress at the time – WW2 was beneath his notice too), as was the decade of political violence in Ireland.  He produced a book about British book illustrators of the 1870s and a not-very-critical study of Walter de la Mare (now even more thoroughly forgotten than Reid himself).
   Reid’s novels have been reprinted by Valancourt Books of Richmond, Virginia over the past decade.

Valancourt Books

PO Box 17642
Richmond VA [Virginia]
Forrest Reid - one story

Why GLBT Books Are Important

Editorial:  Over the last week The Crescent Arts Centre has held its 5th annual Belfast Book Festival.  We in NIGRA have been extremely pleased to support this festival and to be involved in two of its events:


  • photo of BBF15: Thomas HitzlspergerTHOMAS HITZLSPERGER – who became the most high-profile footballer to come out as gay following his retirement from football, and his international career.

Both events highlighted just how important role models are to all of our community, but in particular to thos who are coming to terms with being gay.  In today’s society positive role models are rarely provided, and books and good movies are a natural provider of these.

However, with budget cuts, and with book providers not looking outside the norm for their sales, and also with gay magazines being prohibitively expensive and not freely accessible in libraries etc. todays LGBT youth has been and is being short changed.

I am reprinting an article from GLBT News on The Importance of GLBT Book Month written by Peter Coyl to support my comments:

The Importance of GLBT Book Month

As a teenager, I was such an avid library user I got a job shelving books at the library in the Children’s section. On my breaks, I would roam the stacks of the second floor adult fiction area looking for something new to read. One day, a book caught my eye, and I started flipping through it. It was about gay people. Young and scared, I put the book away and quickly checked to see if someone had seen me looking at this book. I then went back to work, my brain reeling.

A week or so later, I realized that if I accidentally found a book with gay people in it, maybe I could “on purpose” find one. So I looked in the library catalog and voila: we had some. In fact, we had a book in the Young Adult section that had gay characters in it.

So at age 15, that is how I came to read Entries from a Hot Pink Notebook by Todd Brown. This was the first book to show me that I was normal. That yes, other teenagers felt like I did. Despite it being on the shelf and being accessible, I was scared to read it and scared others would find out I was reading it.

This is why GLBT Book Month is important.

GLBT Book Month is important because it gives readers exposure to the works of authors and topics they may not have known existed.

The GLBTRT Executive Board often is contacted (collectively and individually) by library staff or librarians about problems at their library relating to GLBT materials: books cataloged so kids can’t find them, displays that are not allowed to be put up, programs that are cancelled, and the numerous other issues that come up when librarians try to provide equitable service.

This past week, a library an 75 miles away from me made headlines because of a cancelled author appearance (the author has written a book about coming out as a Christian) and the removal of a PFLAG display that had been constructed to coincide with the visit. In the end, the appearance was reinstatedand the display put back up. Things like this shouldn’t happen. But they will continue to happen as long as we do not speak up and promote what we do.

I am not encouraging civil disobedience or actions that would put employment in peril. I am encouraging promoting of GLBT Book Month in whatever way you can in your institution. We have a book month, let’s use it.

That being said, though, it’s time GLBT books, especially those in libraries, came out of the closet.

Libraries and librarians need to stop being afraid of what is on their shelves. It’s been said that a good library should have something in it to offend everyone. Let that be the case.

GLBT Book Month is for everyone. It isn’t just about highlighting books for the GLBT community, it’s about exposing every reader to a new idea, a new story, a new author. In the same way National Poetry Month isn’t just for the poets, GLBT Book Month isn’t just for “the gays.”

So dust off those display ideas you’ve had squirreled way. Order a poster and bookmarks from ALA Graphics. Cut out those rainbow letters. Tack up a flag in the corner. Put out some books from theStonewall Book Awards, Rainbow Book List or Over the Rainbow Book list. Let your community know that you are proud to serve everyone. And if you have a copy of Entries from a Hot Pink Notebook in your collection, maybe you can put it in your display for the kid who shelves your children’s books to see. He may need it.